The Movie Wizard

Movies can and will be judged based on artistic value, uniquity, evidence of talent, and valid motivation. Submit requests for reviews, and compare your own views to my past posts to get an idea of where we agree and where we don't!

Friday, July 29, 2005

A Friday look at the movie world.

Christopher Guest has a master's touch for mockumentaries, and the actors and actresses he works with naturally pick up on his knack for starting an outrageous story and continuing it, straight-facedly adding details that get more and more ridiculous as the character gets more and more serious about the "history" he is recounting. A Mighty Wind, Waiting for Guffman, Best in Show, This is Spinal Tap - but watch out for offensive themes and language, people...

Christopher Walken is totally cool, but what has happened to his career? Is his character in "Catch Me If You Can" any indication? A facade of bravado covering a fading lack of substance? I hope not, but where are his movies these days? The last good thing he did before CMIYC was Fatboy Slim's "Weapon of Choice" music video. Which rocked.

It doesn't have to be an independent film to be good, and it doesn't have to be a Hollywood blockbuster to be full of schlock and schmooze and cliche. Dont' have any good examples, but I'll think of some.

The Frat Pack - Will Ferrell, Ben Stiller, Owen Wilson, Vince Vaughn, Steve Carrell, etc. - have made a series of really funny and varyingly irreverent movies. Will starred in Anchorman, which featured Steve and a cameo by Ben (and Owen? I don't remember). Vince and Ben made Dodgeball, Ben and Owen made Zoolander, Steve is making the 40-year-old Virgin, and Owen and Vince just made Wedding Crashers. I think it's time for all five of them to do a remake of Ocean's Eleven. Will = George Clooney, Ben = Matt Damon, Owen = Brad Pitt, Vince = Bernie Mac, Steve = Chinese Grease Man. It'll kill, I promise.

Alright, Movie Wizard signing off for the weekend, asking you to send in your review requests and remeber: Dont' take candy from strangers! (Take it from babies!)

How to watch movies

A director is someone who directs the process of making a movie. But I submit that they also direct the viewer of that movie. They direct your attention, your thought processes, your emotions. In short, to watch a movie is to let someone else control the way you think for 90-150 minutes. Subtle movements of the camera convey emotion to our subconscious in a way that words could never convince us to feel consciously. Music, coloration, focus, movement - an infinite number of tools lie at the director's feet - he takes them up alternately, or together, and crafts a story.

The first step in watching a movie is to be taken in by the story - remove distractions (and don't be a distraction) so that you can be completely swept along by the roller-coaster ride that the director has provided. Don't focus on trying to guess what will happen next, although attempting to solve the mystery in your own mind may help you understand its intricacies more fully. But let the director tell the story, let the director show you what he wants to show you, and sit along for the ride - enjoy it.

Secondly, however, and this must be done parallel to step one (a bit of a paradox, but you'll get it) is to pay attention to how the director is telling the story - how he is movinng you. To use the roller coaster analogy, take some time to notice the track, the cars, the structure, the clever knowledge of physics that goes into taking your stomach into your throat, etc. Pay attention to everything in the movie that is caused by the director - movies don't just fall into place. They must be shot through a camera, and someone decides where to place that camera, how to move it, how to tilt it. For the most part the actors do the acting, but they are not on a stage that you can view from whatever angle you want. The director hides and reveals exactly what he wishes through that camera lens. Watch that.

Thirdly, think back once you are done, look at the overall storyline, and more importantly the overall message. What beliefs about the world were demonstrated by this movie? Were they stated bluntly, implied by character's actions? What was the motivation for making this movie - were the ideas unique and valid, or were they cliched and safe, guaranteed to please the average audience and make some money?

Consider, rather than watching movies with your favorite actor/actress in them, to watch movies by a favorite director. Find out who directed your favorite movie, and look for more from his camera. The director is often far moreimportant than the actors in determining the quality of a movie, and also whether or not you will enjoy it. For example - Tom Cruise has been in many movies, some of which I loved, some of which I hated. But he worked with Michael Mann in Collateral, and all of Mann's movies have been ones that I've enjoyed. He worked with Steven Spielberg in Minority Report and War of the Worlds, and I enjoy most of Spielberg's movies. Chow Yun-Fat has been in some great films (Crouching Tiger, Hidden Dragon), and some cheesy ones (Bulletproof Monk), but when he works with director John Woo, it is brilliance.

Some actors do well no matter who they are with, and please feel free to follow them as well. But if you seek to understand movies, not acting, then follow the director.

Additionally:

Watch. Foriegn. Films. If you can't handle paying attention to subtitles, then you haven't yet learned fo put enough mental energy into watching a movie to get what you should out of it. Watching a movie with subtitles that you must read is good training to pay a-freaking-tention. Don't know what happened to the extra 't' in that word, but a-freaking-ttention just doesn't look right. deal.

Not only do they train you to pay attention, they train you to think about interesting world views and beliefs. Films from other countries are films from other cultures. Things that are second nature in those cultures will shock your sensibilities sometimes, or leave you confused. Take the time to figure out why that happened, and think about where they are coming from. It is fine to end the day disagreeing with the movie's message, as long as you know what it was.

Remember: Directors control what you think. You wouldn't let someone manipulate your mind without knowing their agenda, and yet watching a movie without thinking about it is exactly that. So wake up! Enjoy your movie, and think about it at the same time.

Thursday, July 28, 2005

The Movie Wizard

The focus of this website will be to provide useful, insightful, and unapologetic reviews of movies past, present, and future. I have made a semi-academic, totally informal, and (nearly) completely self-guided study of a wide variety of films, but my "Previously Viewed" movies list is not as extensive as I think it should be - and never will be. It's one of those "the more you know, the more you realize what you don't know" kind of things - as I follow the strands that connect one movie to another, following new paths on the great spider web of film history, I discover new pathways that seem to stretch into infinity.

When a movie is submitted to the MPAA for rating, that organization also assigns it a number. Watch the credits of a movie - when it gets to the end of the credits and they have all those official looking logos, one of them is the oval-shaped logo, with latitude and longitude lines on it, looking like one of those maps of the globe. That's the MPAA logo, and the movie's number is listed right there. I have found out that the MPAA does not provide a comprehensive list of these numbers and the movies they are assigned to, but if I were really ambitious I would set out to make my own list. I've signed up for Netflix, I could conceivably watch basically every movie ever put on DVD. The numbers are currently in the 40,000 range, and no I don't know which one is number 1.

Why do I call this blog the Movie Wizard? Because I have developed a fairly reliable sense of prediction - I can tell from the previews whether a movie will be one that I will really enjoy, one that is really worth my time, or a commercialized piece of crap. I set my standards based on the articist value of the movie. Cinema, like literature, music, visual art (and video games!) should be created to certain standards, should spring from a valid motivation (making money != valid motivation), and should be new and unique to the extent that anything can be (see Ecclesiastes). It is simple to see from a preview whether or not a movie meets those criteria (most of the time). So I will help you predict the future, as it were, as your Movie Wizard. Post comments with your requests for movie reviews and I will respond - you will never have to see a bad movie again! (though you may miss out on some mediocre/good ones).